Rachel Held Evans

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New Songs

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"You are loved, someone said. Take that
and eat it."

-Mary Karr 

I am folding laundry, its starched, orderly scent a sort of incense, as the hymn rises to my lips. 

“Glory to God in the highest, and peace to his people on earth. Lord God, heavenly King, almighty God and Father, we worship you, we give you thanks, we praise you for your glory…” 

I can’t remember the rest of the words exactly, and the tune meanders a bit, so I improvise, prompting Dan to shout from the other room, “Hon?  You okay? You crying about something?” which happens just about every time I burst into spontaneous song because, apparently, my version of a joyful noise remains indistinguishable from a sob. 
    
Still, I sing on. 

“….For you alone are the Holy One, you alone are the Lord, you alone are da da da da la la la la.” 

It is a season of new songs. 

It is a season of new people, new prayers, new questions. 

At first, the liturgy of the Episcopal Church captured me with its novelty. The chants and collects, calls and responses were a refreshing departure from the contemporary evangelical worship I’d come to associate with all my evangelical baggage.  I liked confessing and receiving communion each week. I liked reciting the Lord’s Prayer and the Apostle’s Creed together in community. I liked the smells and bells. Each Sunday I’d stuff the sandy-colored bulletin in my purse so I could go home and study the rhythm of this worship, imbibing the poetry of those holy words. 

We didn’t know many people then. I kept my eyes on the floor as I walked away from the Table on Sundays, afraid of exchanging too many warm smiles, afraid of becoming too familiar to these kind, religious people who, like all kind, religious people will inevitably disappoint and be disappointed. The melodies of the hymns remained largely inscrutable to my untrained ears, except for when the director of music, (raised Pentecostal),  threw in an “Amazing Grace” or “Rock of Ages” and I sang loud and badly just to hear my voice grip those solid words again.

But we’ve been showing up for nearly six months now, and so it is a different sort of beauty I encounter on Sunday mornings these days—the beauty of familiarity, of sweet routine.

 I know the order of service now. I know it well enough to have favorite parts, to skim ahead when I’m hungry or restless, to get the songs stuck in my head. And we know the people too, not merely as strange faces gathered around the Table but as the Alabama fan, the new mom, the student who loves talking theology, the quilting club, the recovering fundamentalists, the friends. Yesterday, my eyes clouded with tears as the choir sang “I Shall See,” somehow pulling every frantic, disparate prayer from the week into a single sweet plea. The music director told me  the song made her think of me. 

It is a season of new songs.

It is a season of receiving, of being loved just for showing up. 

I am holding all these gifts gingerly, like fragile blue eggs I’m afraid to break. I am holding them the way I hold that white wafer in my cupped, open hands—grateful, relieved, and still just a little bit frightened of what will happen when I take it and eat.